“I got to know a highly collaborative art form that helped me to question why poets sat by themselves so much in coffee shops and at home.”

vardaman2-12I was lucky to meet the wise Wendy Vardaman at The Book Cellar last year because we both had saint poems in the anthology St. Peter’s B-List  and joined together with a few other poets for a poetry reading in honor of Saints and Strangers. Wendy writes poems that are warm, human, inviting, and often humorous. They kind of poems you want to walk around inside for a little while. I loved listening to her read her poems that night at the Book Cellar and loved reading her first collection, Obstructed View (Fireweed Press), on my own afterward. Wendy is the poet laureate of Madison, WI, and recently published another collection of poems, Reliquary of Debt (Lit Fest Press 2015).  As you can see by taking a look at her website and the following interview, Wendy’s interests and accomplishments as an artist and an interpreter of art are many and varied (Check out the #midwestpoetic project in the list of links below the interview). I’m so grateful she took a moment to share with us about her journey because she’s reminded me of the importance of learning and collaborating and questioning and growing all the time.

What do you write? 

I write poetry and prose. And prose poems and poetic prose. I write creative nonfiction and book reviews and author interviews. I write reviews as prose poems. I write scholarly poems and poetic scholarship. I write comments on student essays and poems. I write up product information for one of my jobs and upload it to websites. I write website content for the poetry press that I co-founded (Cowfeather) with Sarah Busse, and I write that with html and css code. I write journal entries and notes to myself and lists of things to do. I write Facebook status updates (occasionally) and Tweets (rarely) and blog entries that are more long form essays than blog posts. I write up events and copy for the jackets of books and the occasional press release, which I’m terrible at. I write texts to my kids, which I am also terrible at. I used to write letters, but I gave up on those a few years ago. I write way too many emails. I’m a compulsive note taker.

How do you write it? (Like when, where, with what, etc)  Continue reading

“In the morning my thoughts are quieter, and my language tends to be clearer.”

rachellyonRachel Lyon is a woman of much grace and many talents. Not only is her fiction swift and piercing, she plays the violin, is a radiant dinner guest, and generally all around wonderful person. I had the pleasure of getting to know Rachel while we were both at Indiana University’s MFA program. She’s now back in her home city, New York, working and writing, and she took a minute to share with us a little snippet of her life. You can find more of Rachel on Twitter: @manateesintrees and Instagram: @appleeyed and a list of her published works that can be enjoyed anywhere the internet goes.

What do you write? How do you write it?

I write stories, mostly, of all lengths—short-shorts, long shorts—and I’ve just finished a second draft of my first novel. I usually get up sometime around six so I can write in the morning before work. I find my mind is freshest then. As the day goes on, my mental noise tends to accumulate, and that can drown out what I most deeply want to say. In the morning my thoughts are quieter, and my language tends to be clearer.

It also helps that one of my two cats is a restless little animal who won’t leave me alone until I get up. As soon as he feels that it should be morning he’ll come and harass me until I get out of bed. I like to think of him as my writer’s conscience… but probably he’s just bored. Continue reading